Meternorphosis 2
Kunstplatform Link, 2024
Installation: 8 x 14m
Wood, branches, small objects, lamps, electric wires
Meternorphosis 2
Kunstplatform Link, 2024
Installation: 8 x 14m
Wood, branches, small objects, lamps, electric wires
Meternorphosis 2
Kunstplatform Link, 2024
Installation: 8 x 14m
Wood, branches, small objects, lamps, electric wires
Meternorphosis 1
Kunstplatform Link, 2024
Installation: 8 x 10,20m
Logs, strings, nails, plants, black soil, saw dust, computer parts, dry batteries, Electric wires, water
Meternorphosis 1
Kunstplatform Link, 2024
Installation: 8 x 10,20m
Logs, strings, nails, plants, black soil, saw dust, computer parts, dry batteries, Electric wires, water
Meternorphosis 1
Kunstplatform Link, 2024
Installation: 8 x 10,20m
Logs, strings, nails, plants, black soil, saw dust, computer parts, dry batteries, Electric wires, water
Meternorphosis 1
Kunstplatform Link, 2024
Installation: 8 x 10,20m
Logs, strings, nails, plants, black soil, saw dust, computer parts, dry batteries, Electric wires, water
Echo from the past
Public Art: Kunstroute Schuytgraaf, 2021-2024
6 x 5m, 3m hight
Steel constraction, concrete spray and paint
Echo from the past
Public Art: Kunstroute Schuytgraaf, 2021-2024
6 x 5m, 3m hight
Steel constraction, concrete spray and paint
Echo from the pas
Public Art: Kunstroute Schuytgraaf, 2021-2024
6 x 5m, 3m hight
Steel constraction, concrete spray and paint
Echo from the past
Public Art: Kunstroute Schuytgraaf, 2021-2024
6 x 5m, 3m hight
Steel constraction, concrete spray and paint
‘Echo from the past
Public Art: Kunstroute Schuytgraaf, 2021-2024
6 x 5m, 3m hight
Steel constraction, concrete spray and paint
Shadow of Memory
Suffering Matters (Bensiendeshuis)
Installation, 2021, 4 x 5m
Broken glass, thread, photos of victims in Hiroshima (atomic bomb) and Nijmegen in WWII
Sound of the work (glass)
Shadow of Memory
Suffering Matters (Bensiendeshuis)
Installation, 2021, 4 x 5m
Broken glass, thread, photos of victims in Hiroshima (atomic bomb) and Nijmegen in WWII
Sound of the work (glass)
Shadow of Memory
Suffering Matters (Bensiendeshuis)
Installation, 2021, 4 x 5m
Entrance in the space.
Burma railway sleeper with note in drawer.
Light is still on
Suffering Matters (Bensiendeshuis)
Installation, 2021, 15 x 8m
Lump, electric wire, glass tube, glass bottle,
sand, stone, brick, wax and clay
Light is still on
Suffering Matters (Bensiendeshuis)
Installation, 2021, 15 x 8m
Lump, electric wire, glass tube, glass bottle,
sand, stone, brick, wax and clay
Light is still on
Suffering Matters (Bensiendeshuis)
Installation, 2021, 15 x 8m
Lump, electric wire, glass tube, glass bottle,
sand, stone, brick, wax and clay
Light is still on
Suffering Matters (Bensiendeshuis)
Installation, 2021, 15 x 8m
Lump, electric wire, glass tube, glass bottle,
sand, stone, brick, wax and clay
Things they left behind
Heimatgefühle/Feelings of home
Installation, 2019, 2.5 x 3.5m
Household materials (dish, cup, etc. collected in Antwerp.), water, bread, rice, spaghetti, lentils, beans, beer, wine, and water
Things they left behind
Heimatgefühle/Feelings of home
Installation, 2019, 2.5 x 3.5m
Household materials (dish, cup, etc. collected in Antwerp.), water, bread, rice, spaghetti, lentils, beans, beer, wine, and water
Where do you come from?
Heimatgefühle/Feelings of home
Video installation, 2008, 0.8 x 1.2m
Video projection, 14:50 min, collage on paper (hanging 20-30cm before the wall)
Where do you come from?
Heimatgefühle/Feelings of home
Video installation, 2008, 0.8 x 1.2m
Video projection, 14:50 min, collage on paper (hanging 20-30cm before the wall)
How to tell a story of my father
Keiko Sato, Machinery of Me
Slide projection, 6:53 min, 2007, 1.8 x 1m
How to tell a story of my father
Keiko Sato, Machinery of Me
Slide projection, 6:53 min, 2007, 1.8 x 1m
View on wood
Keiko Sato, Machinery of Me
Installation, 2018-2019, 9 x 8 x 6m
Wood, branch, denture, brick, plant, soil, camera,
computer, asphalt and photos in Fukushima.
View on wood
Keiko Sato, Machinery of Me
Installation, 2018-2019, 9 x 8 x 6m
Wood, branch, denture, brick, plant, soil, camera,
computer, asphalt and photos in Fukushima.
View on wood
Keiko Sato, Machinery of Me
Installation, 2018-2019, 9 x 8 x 6m
Wood, branch, denture, brick, plant, soil, camera,
computer, asphalt and photos in Fukushima.
View on wood
Keiko Sato, Machinery of Me
Installation, 2018-2019, 9 x 8 x 6m
Wood, branch, denture, brick, plant, soil, camera,
computer, asphalt and photos in Fukushima.
Vicious Circle
Keiko Sato, Club Solo
Wall collage, 2016, 9 x 3m
Paper, photo and ink
View on the shore
Keiko Sato Club Solo
Installation, 2018, 13 x 8,6m
Plastic plant, plant, sand (different color), plastic and water
View on the shore
Keiko Sato Club Solo
Installation, 2018, 13 x 8,6m
Plastic plant, plant, sand (different color), plastic and water
View on the shore
Keiko Sato Club Solo
Installation, 2018, 13 x 8,6m
Plastic plant, plant, sand (different color), plastic and water
View on the shore
Keiko Sato Club Solo
Installation, 2018, 13 x 8,6m
Plastic plant, plant, sand (different color), plastic and water
Untitled
Keiko Sato, Club Solo
Installation, 1995 and 2018, 10 x13m
Glass tubes, broken glass, tea, wax clay and Plastic sheet.
Untitled
Keiko Sato, Club Solo
Installation, 1995 and 2018, 10 x13m
Glass tubes, broken glass, tea, wax clay and Plastic sheet.
Window
Keiko Sato, Club Solo
Photo, 2000, 50 x 75cm
Things they left behind
Exhibition: 'Intergalactic Dust'
Installation and performance: 2016, 5,5 x 4,5m
Reading the text over the installation by Nico Huijbregts
Household materials (dish, cup, etc. collected in Nijmegen), rice, spaghetti, lentils, beans, water and the texts (‘Farewell’ and ‘new life’ are written in Japanese.)
Things they left behind
Exhibition: 'Intergalactic Dust'
Installation and performance: 2016, 5,5 x 4,5m
Reading the text over the installation by Nico Huijbregts
Household materials (dish, cup, etc. collected in Nijmegen), rice, spaghetti, lentils, beans, water and the texts (‘Farewell’ and ‘new life’ are written in Japanese.)
Things they left behind
Exhibition: 'Intergalactic Dust'
Installation and performance: 2016, 5,5 x 4,5m
Reading the text over the installation by Nico Huijbregts
Household materials (dish, cup, etc. collected in Nijmegen), rice, spaghetti, lentils, beans, water and the texts (‘Farewell’ and ‘new life’ are written in Japanese.)
Earth, 2017
Exhibition: 'Ourselves and as it is'
Installation: 2017, 11 x 3,1m
Soil, plastic, burnt wood, stone, sand, plant, branch, electric and water.
Things they left behind
Exhibition: 'Intergalactic Dust'
Installation: 2016, 4 x 4m
Household materials (dish, cup, etc. collected in Antwerp.), rice, spaghetti, lentils, beans, beer, wine, and water.
Things they left behind
Exhibition: 'Intergalactic Dust'
Installation: 2016, 4 x 4m
Household materials (dish, cup, etc. collected in Antwerp.), rice, spaghetti, lentils, beans, beer, wine, and water.
Forbidden
Exhibition: 'Made In Japan'
Installation: 2016, 4 x 4m
Soil, stone, sand, plant, branch, electric wire, plastic box, and water.
Forbidden
Exhibition: 'Made In Japan'
Installation: 2016, 4 x 4m
Soil, stone, sand, plant, branch, electric wire, plastic box, and water.
Developed work of "Synchronizing" in studio
"Synchronizing, little one"
Collage: 2017, 72 x 101cm, 56 x 80cm
Printout of slave ship, white and gray paper, board and ink. Printout of immigration ship and sea, baby cloth, and electric wire
Forbidden
Exhibition: 'Art and SOIL'
Installation: 2015, 4 x 4m
Soil, stone, sand, plant, branch, electric wire, plastic box, and water.
Forbidden
Exhibition: 'Art and SOIL'
Installation: 2015, 4 x 4m
Soil, stone, sand, plant, branch, electric wire, plastic box, and water.
Forbidden
Exhibition: 'Art and SOIL'
Installation: 2015, 4 x 4m
Soil, stone, sand, plant, branch, electric wire, plastic box, and water.
'When we are sitting with ---
Exhibition: 'Reload'
Installation: 2014, 5 x 3,5m
Table, chair, broken computer, laptop, chips, an object, wax, fiberglass mesh drywell tape, and plaster.
When we are sitting with ---
Exhibition: 'Reload'
Installation: 2014, 5 x 3,5m
Table, chair, broken computer, laptop, chips, an object, wax, fiberglass mesh drywell tape, and plaster.
When we are sitting with ---
Exhibition: 'Reload'
Installation: 2014, 5 x 3,5m
Table, chair, broken computer, laptop, chips, an object, wax, fiberglass mesh drywell tape, and plaster.
Spiral
Exhibition: 'Avanser-Going forward' Kinshasa, Congo
Installation: 2014, 15 x 10m
Sand, stone, plant, plastic sack, lid of bottle, photo, wood, and collected objects in Kinshasa.
Spiral
Exhibition: 'Avanser-Going forward' Kinshasa, Congo
Installation: 2014, 15 x 10m
Sand, stone, plant, plastic sack, lid of bottle, photo, wood, and collected objects in Kinshasa.
Spiral
Exhibition: 'Avanser-Going forward' Kinshasa, Congo
Installation: 2014, 15 x 10m
Sand, stone, plant, plastic sack, lid of bottle, photo, wood, and collected objects in Kinshasa.
Spiral
Exhibition: 'Avanser-Going forward' Kinshasa, Congo
Installation: 2014, 15 x 10m
Sand, stone, plant, plastic sack, lid of bottle, photo, wood, and collected objects in Kinshasa.
Light is still on
- To those who still suffer by Fukushima Nuclear disaster. -
The exhibition: 'The Future Begins Now'
Lamps, broken lamps (glass), sand, electrical wires, electrical outlet
Installation, 2013, 2.5 x 4m
Ice basement
Volkhof Museum, Nijmegen, Netherlands
'Whispering' Fukushima
The exhibition: 'Communication - Exchange, Dialogue & Art'
Installation, 2013, 10 x 2m
9 different colours of planting boxes, chalk, flowers, label
Greenhouse, Louvain-La-Neuve, Belgium
'Whispering' Fukushima
The exhibition: 'Communication - Exchange, Dialogue & Art'
Installation, 2013, 10 x 2m
9 different colours of planting boxes, chalk, flowers, label
Greenhouse, Louvain-La-Neuve, Belgium
Shadows of memory
The exhibition: 'Transformation/Inspiration'
Installation, 2012, 10 x 5m
Collage on glass bottles and jars, white rope, photographs of the victims of Hiroshima, texts, spotlight
ShieboldHuis, Leiden, Netherlands
Shadows of memory
The exhibition: 'Transformation/Inspiration'
Installation, 2012, 10 x 5m
Collage on glass bottles and jars, white rope, photographs of the victims of Hiroshima, texts, spotlight
ShieboldHuis, Leiden, Netherlands
Shadows of memory
The exhibition: 'Transformation/Inspiration
Installation, 2012, 10 x 5m
Collage on glass bottles and jars, white rope, photographs of the victims of Hiroshima, texts, spotlight
ShieboldHuis, Leiden, Netherlands
White shadow
The exhibition: 'Transformation/Inspiration'
Installation, 2012, 25 x 1/2m angular
White Carrara marble
ShieboldHuis, Leiden, Netherlands
born in Japan
The exhibition: 'Shadow performers'
Installation, 2011, 0,5 x 0,5m
Pictures (children's faces, who survived the disaster in Japan in 2011, were collaged on some stones.), stones
Galerie de Expeditie, Amsterdam, Netherlands
a scene with tea
The exhibition: Keiko Sato, 'Waiting for a cup of tea' in Japanese garden
Installation, 2011, 4 x 4m
Flasks, tea, wax, clay and glass plates
Shofukan, Rotterdam, Netherlands
a scene with tea
The exhibition: Keiko Sato, 'Waiting for a cup of tea' in Japanese garden
Installation, 2011, 4 x 4m
Flasks, tea, wax, clay and glass plates
Shofukan, Rotterdam, Netherlands
Drawing
'Synchronicity'
The illustration and the idea of the exhibition.
How to tell a story of my father
The exhibition of 'Synchronicity'
2010, performance (music played by an organ in the space, reading and projection)
The museum for Modern Art Arnhem, Arnhem, The Netherlands
How to tell a story of my father
The exhibition of 'Synchronicity'
2010, performance (music played by an organ in the space, reading and projection)
The museum for Modern Art Arnhem, Arnhem, The Netherlands
Gelders Balcony 10, 'Synchronicity, Keiko Sato'
2010-2011, a part of the solo exhibition view and the details of the works,
40m x 2.5m balcony
The museum for Modern Art Arnhem, Arnhem, The Netherlands
Gelders Balcony 10, 'Synchronicity, Keiko Sato'
2010-2011, a part of the solo exhibition view and the details of the works,
40m x 2.5m balcony
The museum for Modern Art Arnhem, Arnhem, The Netherlands
Gelders Balcony 10, 'Synchronicity, Keiko Sato'
2010-2011, a part of the solo exhibition view and the details of the works,
40m x 2.5m balcony
The museum for Modern Art Arnhem, Arnhem, The Netherlands
Gelders Balcony 10, 'Synchronicity, Keiko Sato'
2010-2011, a part of the solo exhibition view and the details of the works,
40m x 2.5m balcon
The museum for Modern Art Arnhem, Arnhem, The Netherlands
Gelders Balcony 10, 'Synchronicity, Keiko Sato'
2010-2011, a part of the solo exhibition view and the details of the works,
40m x 2.5m balcony
The museum for Modern Art Arnhem, Arnhem, The Netherlands
Gelders Balcony 10, 'Synchronicity, Keiko Sato'
2010-2011, a part of the solo exhibition view and the details of the works,
40m x 2.5m balcony
The museum for Modern Art Arnhem, Arnhem, The Netherlands
The Earth, 2010
The exhibition: Keiko Sato, 'Reworking'
2010, installation, 8 x 4m
Cigarette butts, ashes, soil, sand, plant, leaves
and branches (peeled skin from the edge of twigs).
Galerie Annie Gentils, Antwerp, Belgium
The Earth, 2010
The exhibition: Keiko Sato, 'Reworking'
2010, installation, 8 x 4m
Cigarette butts, ashes, soil, sand, plant, leaves
and branches (peeled skin from the edge of twigs).
Galerie Annie Gentils, Antwerp, Belgium
The Earth, 2010
The exhibition: Keiko Sato, 'Reworking'
2010, installation, 8 x 4m
Cigarette butts, ashes, soil, sand, plant, leaves
and branches (peeled skin from the edge of twigs).
Galerie Annie Gentils, Antwerp, Belgium
'The Earth, 2010'
The exhibition: Keiko Sato, 'Reworking'
2010, installation, 8 x 4m
Cigarette butts, ashes, soil, sand, plant, leaves
and branches (peeled skin from the edge of twigs).
Galerie Annie Gentils, Antwerp, Belgium
'Between balanced and unbalanced'
The exhibition: Keiko Sato 'Reworking'
2010, installation, 3.5 x 3 x 2.5m
Crystal glasses, white cotton strings
A note with the text 'Please touch gently the hanging crystals'
Galerie Annie Gentils, Antwerp, Belgium
'Between balanced and unbalanced'
The exhibition: Keiko Sato 'Reworking'
2010, installation, 3.5 x 3 x 2.5m
Crystal glasses, white cotton strings
A note with the text 'Please touch gently the hanging crystals'
Galerie Annie Gentils, Antwerp, Belgium
'Bittersweet symphony'
The exhibition: 'Appetite for destruction'
2010, installation, 12 x 7m
Table, chair, an object made by wax and sweets, different kinds of sweets.
Nest, Den Haag, The Netherlands
'Bittersweet symphony'
The exhibition: 'Appetite for destruction'
2010, installation, 12 x 7m
Table, chair, an object made by wax and sweets, different kinds of sweets.
Nest, Den Haag, The Netherlands
'Bittersweet symphony'
The exhibition: 'Appetite for destruction'
2010, installation, 12 x 7m
Table, chair, an object made by wax and sweets, different kinds of sweets.
Nest, Den Haag, The Netherlands
'Metamorphosis'
The exhibition: 'Everyday life another space' & Art Complex
The illustration of the three installations.
'Metamorphosis'
The exhibition: "Everyday life another space" & Art Complex
2009, installation, 16 x 10m
Glass bottles (beer, wine, jam pot, and water), white sand; three ways of breaking bottles (cooling, heat and force)
Kanagawa Prefectural Gallery, Yokohama, Japan
'Metamorphosis'
The exhibition: "Everyday life another space" & Art Complex
2009, installation, 16 x 10m
Glass bottles (beer, wine, jam pot, and water), white sand; three ways of breaking bottles (cooling, heat and force)
Kanagawa Prefectural Gallery, Yokohama, Japan
'Metamorphosis'
The exhibition: "Everyday life another space" & Art Complex
2009, installation, 13 x 12m
Tableware (dishes, cups, bowls, glasses, etc.), which were collected in Japan
Plant, clay, rice, spaghetti, tea, coffee, bread, beer, wine
Kanagawa Prefectural Gallery, Yokohama, Japan
'Metamorphosis'
The exhibition: 'Everyday life another space' & Art Complex
2009, installation, 18 x 22m
Logs, strings, nails, plants, fallen leaves, black soil, leaf mould, computer parts, dry batteries, electric wires
Kanagawa Prefectural Gallery, Yokohama, Japan
'Metamorphosis'
The exhibition: 'Everyday life another space & Art Complex'
2009, installation, 18 x 22m
Logs, strings, nails, plants, fallen leaves, black soil, leaf mould, computer parts, dry batteries, electric wires
Kanagawa Prefectural Gallery, Yokohama, Japan
'Metamorphosis'
The exhibition: 'Everyday life another space & Art Complex'
2009, installation, 18 x 22m
Logs, strings, nails, plants, fallen leaves, black soil, leaf mould, computer parts, dry batteries, electric wires
Kanagawa Prefectural Gallery, Yokohama, Japan
'When the symbols are falling apart'
The exhibition: 'How to tell a story of my father'
2008-2009, collage, drawing, 65 x 84 cm
Magazine, print out, copy from book, print out of world flags, ink, pencil, paper
Galerie de Expeditie, Amsterdam, The Netherlands
'When the symbols are falling apart'
The exhibition: 'How to tell a story of my father'
2008-2009, collage, drawing, 80 x 108,5 cm
Magazine, print out, copy from book, print out of world flags, ink, pencil, paper
Galerie de Expeditie, Amsterdam, The Netherlands
'How to tell a story of my father'
The exhibition: 'How to tell a story of my father'
2009, collage (8 parts), 150 x 400 cm
Magazine, print out, copy from book, ink, pen, pencil, paper
Galerie de Expeditie, Amsterdam, The Netherlands
'How to tell a story of my father'
The exhibition: 'How to tell a story of my father'
2009, collage (8 parts), 150 x 400 cm
Magazine, print out, copy from book, ink, pen, pencil, paper
Galerie de Expeditie, Amsterdam, The Netherlands
'How to tell a story of my father'
The exhibition: 'How to tell a story of my father'
2009, collage (8 parts), 150 x 400 cm
Magazine, print out, copy from book, ink, pen, pencil, paper
Galerie de Expeditie, Amsterdam, The Netherlands
'The things they left behind', 2009
12 x 7 m, floor installation.
Household materials (plate, cup and etc.), which was collected in Den Haag. Plants, clay, rice, spaghetti, tea, coffee, breads, beer, wine.
'The things they left behind', 2009
12 x 7 m, floor installation.
Household materials (plate, cup and etc.), which was collected in Den Haag. Plants, clay, rice, spaghetti, tea, coffee, breads, beer, wine.
'Boy unknown', 2008
24 x 30 cm, Collage on paper.
Joan, Misheck, Aref, Andrea, Alite, Bill, Kevin, Marysia, Mansour, Sithabile, Frouwkje, Bright, Teresa Maria Nerio, Rob, Yus, Pèlagie, Cheikhof, Teresa De Micco de Santo en Keiko, 2008
1.52 x 4.2 m, wall installation.
Paper, photos, magazines, newspaper, texts.
Joan, Misheck, Aref, Andrea, Alite, Bill, Kevin, Marysia, Mansour, Sithabile, Frouwkje, Bright, Teresa Maria Nerio, Rob, Yus, Pèlagie, Cheikhof, Teresa De Micco de Santo en Keiko, 2008
1.52 x 4.2 m, wall installation.
Paper, photos, magazines, newspaper, texts.
Joan, Misheck, Aref, Andrea, Alite, Bill, Kevin, Marysia, Mansour, Sithabile, Frouwkje, Bright, Teresa Maria Nerio, Rob, Yus, Pèlagie, Cheikhof, Teresa De Micco de Santo en Keiko, 2008
1.52 x 4.2 m, wall installation.
Paper, photos, magazines, newspaper, texts.
'Time for sublimation', 2008
Three rooms (on the entrance 5 x 2 m, the first room 5 x 5 m, the second room 4 x 5 m) installation with sound.
Glass bottles, (beer, wine, jam pot, and water), two sorts of white
sand. Three ways of breaking bottles (cooling, heart and force).
'Time for sublimation', 2008
Three rooms (on the entrance 5 x 2 m, the first room 5 x 5 m, the second room 4 x 5 m) installation with sound.
Glass bottles, (beer, wine, jam pot, and water), two sorts of white
sand. Three ways of breaking bottles (cooling, heart and force).
'Memento', 2008
9 x 10 m, installation.
Formal atomic shelter (2nd grand floor).
Broken domestic and house construction materials like bricks, dishes, stones, ground, tiles, a toilet bowl and so on.
'Memento', 2008
9 x 10 m, installation.
Formal atomic shelter (2nd grand floor).
Broken domestic and house construction materials like bricks, dishes, stones, ground, tiles, a toilet bowl and so on.
'Memento', 2008
9 x 5 m, installation.
Old bank safe room (1st grand floor).
Sand, broken glasses, the hand writing text on the left wall and the slide show (DVD).
'Memento', 2008
9 x 5 m, installation.
Old bank safe room (1st grand floor).
Sand, broken glasses, the hand writing text on the left wall and the slide show (DVD).
Supermedium, 2007
Installation, The earth, 5,5 X 6m, floor.
Cigarette butts, ashes, soil, sand (from the beach in den Haag), plant, leaves and branches (peeled skin from the edge of twigs.)
Supermedium, 2007
Installation, The earth, 5,5 X 6m, floor.
Cigarette butts, ashes, soil, sand (from the beach in den Haag), plant, leaves and branches (peeled skin from the edge of twigs.)
Supermedium, 2007
Installation, The earth, 5,5 X 6m, floor.
Cigarette butts, ashes, soil, sand (from the beach in den Haag), plant, leaves and branches (peeled skin from the edge of twigs.)
Project studio in Berlin, 2006
Installation, Berlin wall, 5,5 x 3m, wall. (developed to the photo work)
Paint, ink and photocopy of map and photo. (Collage)
Project studio in Berlin, 2006
Installation, Berlin wall, 5,5 x 3m, wall. (developed to the photo work)
Paint, ink and photocopy of map and photo. (Collage)
Project studio in Berlin, 2006
Installation, Berlin wall, 5,5 x 3m, wall. (developed to the photo work)
Paint, ink and photocopy of map and photo. (Collage)
Project studio in Berlin, 2006
Installation, City-Berlin, 100 x 80cm, floor.
Soil, stone, tube, glass, plank and string from the street.
Project studio in Berlin, 2006
Installation, City-Berlin, 100 x 80cm, floor.
Soil, stone, tube, glass, plank and string from the street.
Project studio in Berlin, 2006
Installation, City-Berlin, 100 x 80cm, floor.
Soil, stone, tube, glass, plank and string from the street.
The Japan Foundation, 2006
Installation, Untitled, 5,5 X 2,7m, window.
Christmas balls (silver, gold), broken lamp and clay.
The Japan Foundation, 2006
Installation, Untitled, 5,5 X 2,7m, window.
Christmas balls (silver, gold), broken lamp and clay.
Museum het Valkhof (Nijmegen, N.L.), 2005.
Installation, 'January,' 3m x 4.5m.
A poem by Albertina Soepboer (written text and sound), newspapers, a paper with pigment, the copy of the Limburg brother's work, 'January,' of 'Les Très Riches Heures.'
This work was inspired by the work of Limburg brothers and the poem of Soepboer.
Museum het Valkhof (Nijmegen, N.L.), 2005.
Installation, 'January,' 3m x 4.5m.
A poem by Albertina Soepboer (written text and sound), newspapers, a paper with pigment, the copy of the Limburg brother's work, 'January,' of 'Les Très Riches Heures.'
This work was inspired by the work of Limburg brothers and the poem of Soepboer.
Veemvloer (Amsterdam), 2003.
The collage work, untitled, 3m x 10m, wall.
Photos, drawings, copies of photos and texts.
CBK (Arhnem), 2003.
Installation, untitled, 7m x 8m, floor.
Glass sheets, glass bottles (pot, wine, beer and etc.), the objects made by wax and clay, wire, dead spiders, rice and flour.
CBK (Arhnem), 2003.
Installation, untitled, 7m x 8m, floor.
Glass sheets, glass bottles (pot, wine, beer and etc.), the objects made by wax and clay, wire, dead spiders, rice and flour.
Galerie de Expeditie (Amsterdam), 2001.
The photo work (A part of installation, also exhibited in White Box.), untitled,
50cm x 75cm
Broken windows in the deconstructed police station in Nijmegen.
CBK (Arhnem), 2003.
Installation, untitled, 7m x 8m, floor.
Glass sheets, glass bottles (pot, wine, beer and etc.), the objects made by wax and clay, wire, dead spiders, rice and flour.
Galerie de Expeditie (Amsterdam), 2001.
The photo work (A part of installation, also exhibited in White Box.), untitled,
50cm x 75cm
Broken windows in the deconstructed police station in Nijmegen.
Galerie de Expeditie (Amsterdam), 2001.
The photo work (A part of installation, also exhibited in White Box.), untitled,
50cm x 75cm
Broken windows in the deconstructed police station in Nijmegen.
White Box (N.Y.), 2001.
Installation, 'Office,' 3.5m x 4m.
Two photos, a table, a chair, broken computers and T.V, wax and a
ball of knitting yarn that covered by wax and chips.
Chisenhale Gallery (London), 2001.
Installation, untitled, 19m x 11m, floor and wall.
Cosmetics and mirrors (broken).
Chisenhale Gallery (London), 2001.
Installation, untitled, 19m x 11m, floor and wall.
Cosmetics and mirrors (broken).
Lokaal 01, 2004
Installation, 2004, Untitled, 7m x 6m, floor.
Household materials (plate, cup and etc.), which was collected in Antwerpen.
Plant, clay, rice, spaghetti, tea, coffee, bread, beer, wine.
Paraplu fabriek, 2004
Installation, 2004, Untitled, floor and floor to the ceiling.
Plants of beans, soil, chips and wires of computer, strings, nail and water.
Paraplu fabriek, 2004
Installation, 2004, Untitled, floor and floor to the ceiling.
Plants of beans, soil, chips and wires of computer, strings, nail and water.
Paraplu fabriek, 2004
Installation, 2004, Untitled, floor and floor to the ceiling.
Plants of beans, soil, chips and wires of computer, strings, nail and water.
Installation, 1999-2000, Untitled, 18m x 16m, floor (once in a garden and once in a gallery.)
Glass bottles (beer, wine and milk), white sand and strings.
Three ways of breaking bottles (cooling, heat and force.)
Installation, 1999-2000, Untitled, 18m x 16m, floor (once in a garden and once in a gallery.)
Glass bottles (beer, wine and milk), white sand and strings.
Three ways of breaking bottles (cooling, heat and force.)
Installation, 1999-2003, Untitled, 9m x 5m, floor
Flag with stock (3.5cm x 2.5cm), children’s clay, strings and dead insects.
Installation, 1999-2003, Untitled, 9m x 5m, floor
Flag with stock (3.5cm x 2.5cm), children’s clay, strings and dead insects.
Installation, 1999-2001, Untitled, 3.5m x 2m, wall.
Christmas balls (silver, gold), broken lamp, wax, and clay
Installation, 1999-2001, Untitled, 3.5m x 2m, wall.
Christmas balls (silver, gold), broken lamp, wax, and clay.
Installation, 1999, Untitled, 10m x 6m, floor.
Left over house construction materials (bricks, powder, tiles and etc), isolation material from newspaper and images from newspaper.
Installation, 1996-2000, Untitled, 7m x 8m, floor.
Cigarette butts, ashes and branches (peeled skin from the edge of twigs).
Installation, 1995-1996, Untitled, 11m x 10m, floor.
Glass tubes (150cm x 30cm, different sizes), tea (green, normal and herb thee), wax and clay.
- Meternorphosis 2
Kunstplatform Link, 2024
Installation: 8 x 14m
Wood, branches, small objects, lamps, electric wires